Adrianne Greenbaum - Klezmer
Adrianne Greenbaum, Professor of Flute and pioneer of the klezmer flute tradition, is a nationally acclaimed flutist and clinician, performing on historical instruments of the 18th and 19th centuries and modern Boehm system.
Having received her upper level degrees from the Oberlin College Conservatory and Yale University School of Music, she has held professorships for five decades at prestigious colleges and universities previous to Mount Holyoke, those being Smith, Yale and Wesleyan. With performances of both klezmer and classical concerts across the globe, her career ranks amongst the finest musicians of her time.
Having begun her career as a classical musician she has maintained her presence in the field performing recitals at universities, conventions national and local – Brittish, National Flute Association, New York to name a few - and as an orchestral musician as Principal of both the New Haven Symphony (recently retired) and Orchestra New England. Highlights of her presence in the classical arena included many years performing with the New York City Ballet Orchestra, performances with New York’s Mostly Mozart Festival, and as Principal flutist with Berlin Ballet at the Met. She can be heard in recordings of her own solo album “Sounds of America” as well as those produced by Koch International and Music Masters labels.
As a klezmer flutist Adrianne has been crowned The Queen of Klezmer Flute, thanks to both a press comment and public opinion. Rising to prominence early on with her first album “FleytMuzik”, performing with stellar musicians Cookie Segelstein, Josh Horowitz and Marty Confurius, attention was quickly and easily drawn to Greenbaum as the foremost exponent and pioneer of the klezmer flute tradition, a position held in high regard by her esteemed colleagues. Audiences as well have come to truly appreciate the instrument’s special qualities because of such high level performing on the long-forgotten instrument of the ensembles of the past.
Her FleytMuzik albums, with the above-mentioned musicians and more recently with Pete Rushefsky, Michael Alpert and Jake Shulman-Ment, as well as an earlier recording Family Portrait, produced by her first klezmer ensemble “Klezical Tradition”, have been firmly placed in the core of the klezmer output of the late 20th and now 21st centuries. Her latest recording project Farewell to the Homeland: Poyln gained an appreciation from the public and from colleagues alike for connecting early klezmer bands of Poland – in particular the Frandt kapelye of Dubiecko, Poland – and continues to be presented in narrated form in concert. Other themed concerts with FleytMuzik include a narrated A Khasene far di Zisn Kale and her touring show Tartan, Baroque and Klezmer!
A recently added klezmer project is the formation of di naye froyen kapelye, a super group of five prominent North American women in klezmer, with Cookie Segelstein, Marilyn Lerner, Susan Watts and Loren Brode.
As Greenbaum has always enjoyed teaching, she is repeatedly invited to coach students of all levels, including KlezKamp, KlezKanada, and Boxwood. She also presents her own classes throughout the year, all ages and abilities attending.
If you attend such you will be delighted by her sporting her vintage Hat of the Day.